麻豆影视

Skip to main content

Movie reviews: Flashy finish in 'The Nun II,' but is the franchise becoming a bad habit?

Share

THE NUN II: 2 陆 STARS

鈥淭he Nun II,鈥 a new horror film starring Taissa Farmiga and now playing in theatres, is a sequel to a movie that was a prequel to the sequel of 2013鈥檚 鈥淭he Conjuring.鈥 Confused? Not to worry, despite its convoluted pedigree, all you need to know is that 鈥淭he Nun II鈥 brings back one of the creepiest characters of recent memory.

The follow-up to 2018's 鈥淭he Nun,鈥 the new R-rated (for violent content and terror) movie is set in 1956 France. Farmiga returns as the determined and devout demon warrior Sister Irene. When a priest is murdered in spectacular supernatural fashion, Sister Irene investigates, sensing the evil handiwork of her old adversary, Valak (Bonnie Aarons). Once an angel, Valak was rejected by God and sent to Hell before resurfacing to spread malevolence while disguised as a nun.

鈥淲hat we鈥檙e going after,鈥 says Sister Irene, 鈥渋s unlike anything you鈥檝e ever seen before.鈥

As Irene zeroes in on Valak, her investigation leads to a French boarding school where Maurice (Jonas Bloquet) 鈥 wo saved her life at the end of the last film but may now have something to do with the spread of Valak鈥檚 reign of terror 鈥 works as a handyman. Joined by schoolteacher Marcella (Anna Popplewell), her daughter, Sophie (Katelyn Rose Downey), and rebellious novice Sister Debra (Storm Reid), Irene battles to prevent Valak from spreading evil to the world.

鈥淚 know why it鈥檚 here,鈥 Irene says, 鈥淚 saw what it wants.鈥

鈥淭he Nun II鈥 has atmosphere to burn. The boarding school, which appears to be made up of nothing but long hallways, flickering lights and a decrepit old chapel, provides an effective shadowy backdrop for much of the action. The dark, murky cinematography hangs over the proceedings like a shroud, creating a gloomy vibe that adds to the overall feeling of dread.

Trouble is, Sister Irene鈥檚 journey to vanquish Valak is low on actual scares. There are a few pretty good jump scares, some eerie imagery, and the demon in full nun regalia is still an unsettling sight, but the movie is just a little too similar to 鈥淭he Nun鈥濃攊t鈥檚 another story about Irene and an ancient demon destroying relic鈥攖o feel anything but familiar.

The final 15 minutes, a showdown between the divine and the demonic, is visually interesting and ends the movie with a flourish, but even with the flashy finish, it鈥檚 hard not to think that, at this point, 鈥淭he Nun鈥 franchise is becoming a bad habit.

MY BIG FAT GREEK WEDDING 3: 2 STARS
 

The 鈥淢y Big Fat Greek Wedding鈥 franchise is baklava in theatres this weekend, bringing with it some familiar faces鈥擭ia Vardalos and John Corbett return as married couple Toula Portokalos and Ian Miller鈥攁nd a load of Grecian-Americans stereotypes. The question is, on the third outing, is there anything fresh left for the franchise to say, or is it a Greek tragedy?

Twenty-one years ago, the original 鈥淢y Big Fat Greek Wedding鈥 told the silly and saccharine story of happy couple Toula and Ian.

鈥淭here are three things that every Greek woman must do in life,鈥 says Toula in that movie, 鈥渕arry Greek boys, make Greek babies, and feed everyone.鈥

That Ian wasn鈥檛 Greek was a problem, but nothing that couldn鈥檛 be overcome with some slapstick and sweet-natured good humour.

Two movies later, the light tone continues, but the family is mourning the loss of Portokalos patriarch Gus (played by the late Michael Constantine in the first two films), a man so proud of his heritage that he can trace any word back to its origins in Greek鈥 even the word kimono.

In death, he鈥檚 still proudly Greek, leaving behind a last wish that his family visit his childhood village and reconnect with their roots. At the family reunion, Toula and Ian, with daughter Paris (Elena Kampouris) and Aunt Voula (Andrea Martin) in tow, explore the village, meet Gus鈥檚 old friends and pass along a journal he wrote about his life鈥檚 journey.

鈥淭his is one reunion we鈥檒l never forget,鈥 says Toula.

They may never forget the reunion, but the film is not memorable. The original movie was sublimely silly with just enough naturalism to keep the story earthbound.

Those days are gone.

If the good old Funk & Wagnalls was illustrated, the definition of the term 鈥渂road鈥 could easily be accompanied by the poster for 鈥淢y Big Fat Greek Wedding 3.鈥 Everything about Vardalos鈥檚 film鈥攕he wrote, directed and starred in it鈥攊s stretched and overblown. Whether it is the humour, the cloying sentiment or the manipulative undertones of nearly every scene, it is all played so broadly that it鈥檚 amazing she didn鈥檛 have to shoot the whole thing with a wide-angle lens to capture the puffed-up vastness of it all.

It's a shame because there are some intimate moments that, if played with even a hint of restraint, could have pulled at the heartstrings. Instead, we get souvlaki jokes, banal schmaltziness and choppily edited tourism bureau style footage. Also (SORTA KINDA SPOILER), this may be the first film with the word 鈥淲edding鈥 in the title to have a wedding, but not show the actual ceremony.

Still, franchise fans may get a kick out of spending some time with familiar characters. Martin has all the best lines, and the cast performs with enthusiasm. But is enthusiasm enough? Nope, but 鈥淢y Big Fat Greek Wedding 3,鈥 for better and for worse, much worse, tries harder than any other movie this year to make you love it.

AMERICAN: AN ODYSSEY TO 1947: 3 STARS

鈥淎merican: An Odyssey to 1947,鈥 a new documentary from director Danny Wu now on VOD, combines the artistic and ethical to form an intriguing portrait of the turbulent political landscape of the mid-20th century in the United States.

The film鈥檚 first half focuses on director Orson Welles, the wunderkind who, after taking the New York theatre world by storm in 1936 by staging a version of Shakespeare's 鈥淢acbeth鈥 with an entirely Black cast and creating a nationwide sensation with his radio adaptation of 鈥淭he War of the Worlds,鈥 moved to Hollywood and made one of the greatest films of all time, 鈥淐itizen Kane,鈥 all before the age of 25.

Although familiar to film fans, the story of how 鈥淐itizen Kane鈥 landed in the crosshairs of newspaper magnate William Randolph Hearst is recounted here. The specifics of how the influential newspaperman used his political sway to torpedo the film and Welles鈥 Hollywood career are intertwined with details of the director鈥檚 growing involvement in politics and progressive causes.

In 1947, with the House of Unamerican Activities showing more interest in him than Hollywood, Welles decamped for Europe.

鈥淎merica is not as happy with me as I am with it,鈥 he said.

Wu then broadens the film鈥檚 focus to report how key moments of the time, the New Deal, World War II, the bombing of Hiroshima and racial injustice, played a part in shaping Welles鈥 political and personal life.

Dropping the Hollywood biopic feel of the first half, Wu integrates the stories of Hiroshima survivor Howard Kakita, Isaac Woodard, an American soldier and victim of racial violence and Satsuki Ina, a psychotherapist born in an internment camp.

Disjointed though they may feel from time to time, these testimonials provide historical perspective and context for the over-arching look at the formation of Welles鈥 political awakening. Their stories are compellingly told, painting a grim picture of the hardship and inequity that informed the political climate of the time by expanding the micro to the macro.

What emerges is a portrait of an artist, influenced by world events and steadfast in his beliefs, even when those opinions threatened his career.

In 鈥淎merican: An Odyssey to 1947,鈥 Wu does a good job of setting up time and place, and even though the shift from career retrospective to personal stories isn鈥檛 smooth, the film finds its balance to become an interesting, inventive recontextualization of a well-documented life.

CTVNews.ca Top Stories

Childhood sleep issues may raise suicide risk, study finds

If your child sometimes has trouble sleeping, it may be easy to chalk it up to a phase they will grow out of one day. But a new study suggests possible serious consequences for this line of thought 鈥 such as a higher risk for suicidal ideation or attempts when they are older.

Local Spotlight

Cole Haas is more than just an avid fan of the F.W. Johnson Wildcats football team. He's a fixture on the sidelines, a source of encouragement, and a beloved member of the team.

Getting a photograph of a rainbow? Common. Getting a photo of a lightning strike? Rare. Getting a photo of both at the same time? Extremely rare, but it happened to a Manitoba photographer this week.

An anonymous business owner paid off the mortgage for a New Brunswick not-for-profit.

They say a dog is a man鈥檚 best friend. In the case of Darren Cropper, from Bonfield, Ont., his three-year-old Siberian husky and golden retriever mix named Bear literally saved his life.

A growing group of brides and wedding photographers from across the province say they have been taken for tens of thousands of dollars by a Barrie, Ont. wedding photographer.

Paleontologists from the Royal B.C. Museum have uncovered "a trove of extraordinary fossils" high in the mountains of northern B.C., the museum announced Thursday.

The search for a missing ancient 28-year-old chocolate donkey ended with a tragic discovery Wednesday.

The Royal Canadian Mounted Police is celebrating an important milestone in the organization's history: 50 years since the first women joined the force.

It's been a whirlwind of joyful events for a northern Ontario couple who just welcomed a baby into their family and won the $70 million Lotto Max jackpot last month.