PARIS, FRANCE -- From the Australian b-girl with the meme-worthy 鈥渒angaroo鈥� dance move to the silver-medal winning Lithuanian in a durag, breaking's Olympic debut had a few moments that raised questions from viewers about whether the essence of the hip-hop art form was captured at the Paris Games.
Rachael Gunn, or 鈥渂-girl Raygun," a 36-year-old professor from Sydney, Australia, quickly achieved internet fame, but not necessarily for Olympic-level skill. Competing against some b-girls half her age, she was swept out of the round-robin stage without earning a single point, and her unconventional moves landed flat while failing to match the skill level of her foes.
At one point, Gunn raised one leg while standing and leaned back with her arms bent toward her ears. At another, while laying on her side, she reached for her toes, flipped over and did it again in a move dubbed 鈥渢he kangaroo.鈥�
Gunn has a Ph.D. in cultural studies, and her LinkedIn page notes she is 鈥渋nterested in the cultural politics of breaking."
鈥淚 was never going to beat these girls on what they do best 鈥� their power moves,鈥� said Gunn. 鈥淲hat I bring is creativity.鈥�
Clips of her routine have gone viral on TikTok and elsewhere, and many cringed at her moves platformed on the Olympic stage as a representation of hip-hop and breaking culture.
鈥淚t's almost like they are mocking the genre,鈥� wrote one user on X.
Some of it was 鈥榳eird to see鈥�
Many Black viewers, in particular, called out Lithuania鈥檚 silver medalist b-girl Nicka, (legally named Dominika Banevi膷) for donning a durag during each of her battles. Durags, once worn by enslaved Africans to tie up their hair for work, are still worn by Black people to protect and style their hair. They became a fashionable symbol of Black pride in the 1960s and 1970s and, in the 1990s and early 2000s, also became a popular element of hip-hop style. But when worn by those who aren鈥檛 Black, durags can be seen as cultural appropriation. Banevi膷 is white.
Actor Kevin Fredericks responded on Instagram to Banevi膷 donning the headwear by saying it looked 鈥渨eird to see somebody who don鈥檛 need it for protective style or waves to be rocking the durag.鈥�
The 17-year-old breaker ultimately won the silver medal after losing in the final to Japan's b-girl Ami (Ami Yuasa).
For her part, Banevi膷 has credited the breakers from the 1970s in the Bronx 鈥� the OGs 鈥� or 鈥渙riginal gangsters鈥� in hip-hop who created the dance 鈥� for her own success and breaking style.
鈥淚t鈥檚 a huge responsibility to represent and raise the bar every time for breaking because they did an amazing job. Big respect for the OGs and the pioneers that invented all those moves. Without them, it wouldn鈥檛 be possible," she said. 鈥淲ithout them, breaking wouldn't be where it is today. So I'm grateful for them.鈥�
Concerns over losing breaking's roots
The challenge for Olympic organizers was to bring breaking and hip-hop culture to a mass audience, including many viewers who were skeptical about the dance form鈥檚 addition to the Olympic roster. Others feared the subculture being co-opted by officials, commercialized and put through a rigid judging structure, when the spirit of breaking has been rooted in local communities, centered around street battles, cyphers and block parties. Hip-hop was born as a youth culture within Black and brown communities in the Bronx as a way to escape strife and socio-economic struggles and make a statement of empowerment at a time when they were labeled as lost, lawless kids by New York politicians.
Refugee breaker Manizha Talash, or 鈥渂-girl Talash,鈥� channeled that rebellious vibe by donning a 鈥淔ree Afghan Women鈥� cape during her pre-qualifier battle 鈥� a defiant and personal statement for a 21-year-old who fled her native Afghanistan to escape Taliban rule. Talash was quickly disqualified for violating the Olympics' ban on political statements on the field of play.
Both American b-girls were eliminated in Friday鈥檚 round-robin phase, a blow to the country representing the birthplace of hip-hop in what could be the discipline鈥檚 only Games appearance. B-girl Logistx (legal name Logan Edra) and b-girl Sunny (Sunny Choi) both ranked in the top 12 internationally but came up short of the quarterfinals.
鈥淏reaking for the Olympics has changed the way that some people are dancing,鈥� said Choi, referring to some of the flashier moves and jam-packed routines. "Breaking changes over time. And maybe I鈥檓 just old-school and I don鈥檛 want to change. ... I think a lot of people in our community were a little bit afraid of that happening.鈥�
Before Friday's battles began, American rapper Snoop Dogg made a grand entrance into the stadium to the soundtrack of 鈥淒rop it Like it鈥檚 Hot,鈥� prompting cheers and dancing in the stands.
鈥淚 am hip-hop and I do know what hip-hop and break dancing is supposed to look like,鈥� he told Vogue Magazine before the Paris Games began.
Rapper ICE T also expressed his excitement over the breaking competition before yesterday's battles.
鈥淭his is gonna blow the minds of people that haven鈥檛 seen breaking in a while,鈥� he posted on X. 鈥淎ll Respect to HIPHOP.鈥�
The b-boys take the stage on Saturday to give Olympic breaking another chance at representing the culture.
